<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5830312814871635811</id><updated>2011-07-28T08:28:25.829-07:00</updated><title type='text'>canal</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>18</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-8881788685400783775</id><published>2008-03-30T00:24:00.000-07:00</published><updated>2008-04-14T12:21:50.579-07:00</updated><title type='text'>John Barlow Gone Offshore</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Sunday 30 March 2008, 4pm&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R_y-W42Wr1I/AAAAAAAAACs/oQ11XQUHvQs/s1600-h/G%2BS-tour2.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R_y-W42Wr1I/AAAAAAAAACs/oQ11XQUHvQs/s320/G%2BS-tour2.jpg" alt="" id="BLOGGER_PHOTO_ID_5187230171250732882" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Meeting point&lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic; color: rgb(102, 102, 102);"&gt;The Street &lt;/span&gt;&lt;span style="color: rgb(102, 102, 102);"&gt;Headquarters - The Shop&lt;br /&gt;26–28 Toynbee St&lt;br /&gt;London E1&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;For the launch of &lt;a style="font-style: italic;" href="http://www.whitechapel.org/content.php?page_id=4096"&gt;The Street&lt;/a&gt;, Canal presents &lt;span style="font-weight: bold;"&gt;John Barlow Gone Offshore&lt;/span&gt;, an event orchestrated by &lt;a href="http://www.goldinsenneby.com/"&gt;Goldin+Senneby&lt;/a&gt;, the framework for collaboration between artists Simon Goldin and Jakob Senneby.&lt;br /&gt;&lt;br /&gt;Middlesex Street marks the shift from Tower Hamlets to the City of London. Sometimes called the “Wall of Fire”, the border between two economic realities will be host to Goldin+Senneby’s event. From this point, a guide will initiate a movement towards fictitious space, narrating the legal construction of offshore jurisdictions.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;John Barlow Gone Offshore&lt;/span&gt; is part of Goldin+Senneby’s ongoing investigation of the offshore company Headless Ltd (and its possible connections to Georges Bataille’s secret society Acéphale). For Goldin+Senneby, the juridical construction of the Offshore is a performative act of fictionalising place and staging a realm of invisibility. In their research, they focus on a specific offshore company known as Headless Ltd, incorporated in Nassau, Bahamas, in 2002. Their enquiries and findings are continuously traced in a docu-fictional novel by writer John Barlow, also called Headless. As part of his collaboration with the two artists, Barlow travels to the Bahamas in search of the physical manifestations of Headless Ltd and, in a wider sense, the material staging of the fictitious place – or non-place – of the offshore incorporation.&lt;br /&gt;&lt;br /&gt;For&lt;span style="font-weight: bold;"&gt; John Barlow Gone Offshore&lt;/span&gt;, two city guides lead the public into Barlow’s travels across the Bahamas and his possible findings. Mediating and contextualising the performative research in the offshore, the event proposes a staged inquiry into the undisclosable.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;span style="font-weight: bold;"&gt;John Barlow Gone Offshore &lt;/span&gt;has been developed in collaboration with &lt;a href="http://www.gasworks.org.uk/exhibitions/detail.php?id=344"&gt;&lt;span style="font-style: italic;"&gt;Disclosures&lt;/span&gt;,&lt;/a&gt; a Gasworks seminar (29-30 March 2008).&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-8881788685400783775?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/8881788685400783775/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=8881788685400783775' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/8881788685400783775'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/8881788685400783775'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/john-barlow-gone-offshore.html' title='John Barlow Gone Offshore'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_vbYyOvRn5-4/R_y-W42Wr1I/AAAAAAAAACs/oQ11XQUHvQs/s72-c/G%2BS-tour2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-7179468461770701694</id><published>2008-02-19T09:30:00.000-08:00</published><updated>2008-04-14T12:22:26.398-07:00</updated><title type='text'>Canal as part of The Street, a project conceived by the Whitechapel Gallery</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;30 March 2008 - April 2009&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Canal has been invited to take part in the year-long project which uses Wentworth Street (home to Petticoat Lane market) as a site around which international artists Minerva Cuevas, Jens Haaning, Henry VIII’s Wives, Bernd Krauss, Shimabuku and Nedko Solakov have been commissioned.&lt;br /&gt;&lt;br /&gt;Canal's contribution will consist of responding - whether fairly directly or metaphorically - to the projects proposed by the other artists, to the local context as well as to the premise set by the curators Anthony Spira and Marijke Steedman. Canal's interventions will take place throughout the year.&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-7179468461770701694?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/7179468461770701694/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=7179468461770701694' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/7179468461770701694'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/7179468461770701694'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/canal-as-part-of-street-project.html' title='Canal as part of The Street, a project conceived by the Whitechapel Gallery'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-2299776053019943298</id><published>2007-03-19T09:36:00.001-07:00</published><updated>2008-02-19T10:11:20.204-08:00</updated><title type='text'>Canal at Peer</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R7sUUauJm8I/AAAAAAAAAAM/3sRsjxwtf7k/s1600-h/Make-Everything-New-Cover.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R7sUUauJm8I/AAAAAAAAAAM/3sRsjxwtf7k/s320/Make-Everything-New-Cover.jpg" alt="" id="BLOGGER_PHOTO_ID_5168747338340604866" border="0" /&gt;&lt;/a&gt;During Winter 2007, Canal was hosted by Peer and presented: 'Make Everything New: a discussion', 'Evil Sisters' and 'Phyllida Barlow presents'.&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 153, 0); font-weight: bold;"&gt;Monday 19 March 2007, 7pm &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Make Everything New: a discussion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Canal presented a discussion between Maria Fusco, Susan Kelly and Grant Watson based around the recent publication Make Everything New: a Project on Communism. The evening featured a presentation by Susan Kelly of her work What is to be done?, with an open invitation for the audience to respond to the question. The written replies formed the starting point for the discussion.&lt;br /&gt;&lt;br /&gt;"Communism is routinely defined as defeated and its conquest the subject of regular celebration. Caught in the disappointment and negative connotations of the past, it has become all but unthinkable. Make Everything New seeks to rescue the idea of Communism from this trap. Collaborating with artists, writers and collectives, this project has commissioned and collected counter-narratives, abstract and unrealistic ideas, engaged political commentary and satirical work, that presents neither an historical or comprehensive overview nor a requiem for the past. It is a collection of partial and subjective accounts of various creative practices, an experimental platform for ideas and an attempt to see in what ways the communist imagination can be materialised as art."&lt;br /&gt;&lt;br /&gt;(From Make Everything New: a Project on Communism, edited by Grant Watson, Gerrie van Noord and Gavin Everall; published by Book Works, London and Project Arts Centre, Dublin. For more information: &lt;a href="http://www.bookworks.org.uk/"&gt;www.bookworks.org.uk&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Reading suggestion: "Interview with a Ghost", by Grant Watson.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Hosted by&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Peer&lt;br /&gt;99 Hoxton Street&lt;br /&gt;London N1 6QL&lt;br /&gt;&lt;a href="http://www.peeruk.org/"&gt;www.peeruk.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Canal would like to thank Ingrid Swenson, Tom Morton and Book Works for their support.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-2299776053019943298?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/2299776053019943298/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=2299776053019943298' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/2299776053019943298'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/2299776053019943298'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2007/03/canal-at-peer.html' title='Canal at Peer'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_vbYyOvRn5-4/R7sUUauJm8I/AAAAAAAAAAM/3sRsjxwtf7k/s72-c/Make-Everything-New-Cover.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-1770668024385358044</id><published>2007-02-23T09:46:00.000-08:00</published><updated>2008-02-19T10:12:05.872-08:00</updated><title type='text'>Canal at Supermarket 2007</title><content type='html'>At Konstnärshuset, Stockholm&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Friday 23rd February 2007, 3-6pm&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;Money changes everything: &lt;/span&gt; &lt;span style="font-weight: bold;"&gt;the impact of commerce on the artist-run space&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This discussion is set up to question and respond to the backdrop of Supermarket, a fair for artist-run spaces. Is the artist-run space a route into the commercial arena? What alternative can the artist-run space propose to the power structures of the art world? Does commercial activity compromise criticality? Such issues will be debated with people involved in artist-led initiatives mainly established in Scandinavian countries. Confronting contexts and exchanging viewpoints rather than falling into a debate about the funding situation is the aim of this event.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Contributors&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;3pm: &lt;/span&gt;presentation by artist Ralf Homann of &lt;a href="http://www.schleuser.net/"&gt;schleuser.net&lt;/a&gt;, a lobby organisation co-founded with Manuela Unverdorben and Farida Heuck.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;3.45pm:&lt;/span&gt; Natalya Pershina aka Gluklya of &lt;a href="http://www.chtodelat.org/"&gt;Chto Delat&lt;/a&gt; and Factory of Found Clothes, St Petersburg presents two films.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;4.30pm:&lt;/span&gt; presentation by Canal&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;5.00pm:&lt;/span&gt; Opening up the discussion with the respondents and the public.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Respondent&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;Felice Hapetzeder of &lt;a href="http://www.ak28.org/"&gt;AK28&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R7sW8auJm9I/AAAAAAAAAAU/9ia90TpwyKY/s1600-h/stockholm2.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R7sW8auJm9I/AAAAAAAAAAU/9ia90TpwyKY/s320/stockholm2.jpg" alt="" id="BLOGGER_PHOTO_ID_5168750224558627794" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Ralf Homann's intervention.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_vbYyOvRn5-4/R7sXnquJm-I/AAAAAAAAAAc/VA02azxtsNc/s1600-h/stockholm1.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp0.blogger.com/_vbYyOvRn5-4/R7sXnquJm-I/AAAAAAAAAAc/VA02azxtsNc/s320/stockholm1.jpg" alt="" id="BLOGGER_PHOTO_ID_5168750967587970018" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Glucklya and public.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Context&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.supermarketartfair.com/"&gt;SUPERMARKET&lt;/a&gt; art fair is a collaborative effort between artist-run spaces and organisations in Stockholm. In 2007 SUPERMARKET has evolved into an international art fair for artist-run spaces and organisations. SUPERMARKET art fair 2007 takes place in February 22-25 at Konstnärshuset (The Artists’ House).&lt;br /&gt;&lt;br /&gt;Canal would like to thank Diana Kaur for her support.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-1770668024385358044?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/1770668024385358044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=1770668024385358044' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1770668024385358044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1770668024385358044'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/canal-at-supermarket-2007.html' title='Canal at Supermarket 2007'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_vbYyOvRn5-4/R7sW8auJm9I/AAAAAAAAAAU/9ia90TpwyKY/s72-c/stockholm2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-1124277900825046641</id><published>2007-02-22T10:09:00.000-08:00</published><updated>2008-02-19T10:12:58.614-08:00</updated><title type='text'>Canal at AK28, Stockholm</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Thursday 22nd February 2007, 8.30pm&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Canal presents: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Wall Street (dir. Oliver Stone, 1987)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The film is a morality tale about a young stockbroker Bud Fox (Charlie Sheen) and his attempt to scramble to the top in 1980s New York. The plot is centred on Bud's relationship to high-powered (but ruthless and greedy) broker Gordon Gekko (Michael Douglas) whose expounds a "Greed is Good" philosophy. When he's not asset stripping companies Gekko collects art, and so for Bud art and interior decoration become vehicles with which to gain acceptance within the (ultimately immoral) Capitalist elite that he wishes to enter.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Context&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;This film screening is being shown as part of the discussion Money Changes Everything: the impact of commerce on the artist-run space at Supermarket 2007, on Friday 23rd February, 3-6pm.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Hosted by &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;AK28&lt;br /&gt;Krukmakargatan 28&lt;br /&gt;1tr ned, porttelefon&lt;br /&gt;118 51 Stockholm&lt;br /&gt;&lt;a href="http://www.ak28.org/"&gt;www.ak28.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Canal would like to thank Felice Hapetzeder and all at AK28 for hosting the event.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-1124277900825046641?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/1124277900825046641/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=1124277900825046641' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1124277900825046641'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1124277900825046641'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/canal-at-ak28-stockholm.html' title='Canal at AK28, Stockholm'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-3838354232829381418</id><published>2007-02-13T10:19:00.000-08:00</published><updated>2008-02-19T10:21:08.079-08:00</updated><title type='text'>Canal at Peer</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Tuesday 13 February 2007, 8pm &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Canal presents: &lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;‘Evil Sisters’, an event curated by Gyonata Bonvicini &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Borrowing its title from American scholar Bram Dijkstra’s essay about the iconic figure of the femme fatale, ‘Evil Sisters’ combines a video by Gian Domenico Sozzi and a cult ‘giallo’ movie by Italian director Pupi Avati that address the complex and ever-present conflicts between desire and domination, madness and control.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Programme&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Introduction by artist Gian Domenico Sozzi, actress Francesca Marciano (who played in 'The House with Laughing Windows') and Gyonata Bonvicini.&lt;br /&gt;&lt;br /&gt;'Brava', Gian Domenico Sozzi, 2006.&lt;br /&gt;&lt;br /&gt;'The House with Laughing Windows' (La casa dalle finestre che ridono), dir. Pupi Avati, 1976.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-3838354232829381418?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/3838354232829381418/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=3838354232829381418' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3838354232829381418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3838354232829381418'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2007/02/canal-at-peer.html' title='Canal at Peer'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-3710422750340132449</id><published>2007-01-23T10:21:00.000-08:00</published><updated>2008-02-19T10:23:45.609-08:00</updated><title type='text'>Canal at Peer</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Tuesday 23 January 2007, 8pm&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Phyllida Barlow presents: &lt;/span&gt; &lt;span style="font-weight: bold;"&gt;A Man Escaped (1956) by Robert Bresson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Followed by a short reading, 'How to make (or artist as hostage)'.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_vbYyOvRn5-4/R7selquJm_I/AAAAAAAAAAk/0R6BFNMkl68/s1600-h/phyllida.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp0.blogger.com/_vbYyOvRn5-4/R7selquJm_I/AAAAAAAAAAk/0R6BFNMkl68/s320/phyllida.jpg" alt="" id="BLOGGER_PHOTO_ID_5168758629809626098" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;&lt;br /&gt;Hosted by&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Peer&lt;br /&gt;99 Hoxton Street&lt;br /&gt;London N1 6QL&lt;br /&gt;www.peeruk.org&lt;br /&gt;&lt;br /&gt;Canal would like to thank Ingrid Swenson, Tom Morton, Niru Ratnam and Louise Hayward for their support.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-3710422750340132449?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/3710422750340132449/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=3710422750340132449' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3710422750340132449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3710422750340132449'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2007/01/canal-at-peer.html' title='Canal at Peer'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_vbYyOvRn5-4/R7selquJm_I/AAAAAAAAAAk/0R6BFNMkl68/s72-c/phyllida.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-4027320034221368812</id><published>2006-12-17T10:23:00.000-08:00</published><updated>2008-02-19T10:45:50.463-08:00</updated><title type='text'>Canal Plus at Vilma Gold: Films, performance, music</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Sunday 17 December 2006, 5-8pm &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Hilary Lloyd "Say directly what you want", 1993 (excerpts)&lt;br /&gt;&lt;br /&gt;Brian Dawn Chalkley "Manifesto"&lt;br /&gt;&lt;br /&gt;Felice Hapetzeder "Man’s World", 2006&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span class="on down" style="display: block;" id="formatbar_CreateLink" title="Link" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Eileen Simpson and Ben White . ( Open Music Archive ) play&lt;br /&gt;a selection of out-of-copyright early blues, jazz and folk&lt;br /&gt;recordings from the archive alongside copyleft licensed&lt;br /&gt;electronic remixes.&lt;br /&gt;&lt;br /&gt;Solo performance by All Tomorrow’s Parties recording artist&lt;br /&gt;Alexander Tucker&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_vbYyOvRn5-4/R7sfk6uJnBI/AAAAAAAAAA0/Zj8IQ2OzgS0/s1600-h/300px-Canalplus_stamp.jpg"&gt;&lt;img style="cursor: pointer; width: 283px; height: 284px;" src="http://bp1.blogger.com/_vbYyOvRn5-4/R7sfk6uJnBI/AAAAAAAAAA0/Zj8IQ2OzgS0/s320/300px-Canalplus_stamp.jpg" alt="" id="BLOGGER_PHOTO_ID_5168759716436352018" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cover art for Eileen Simpson's and Ben White's compilation&lt;br /&gt;of 8 tracks from the open music archive, including three&lt;br /&gt;remixes, given away during the evening. The tracks can be&lt;br /&gt;downloaded &lt;a href="http://www.openmusicarchive.org/canalplus"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp1.blogger.com/_vbYyOvRn5-4/R7sjX6uJnII/AAAAAAAAABs/E9at2qKkhTE/s1600-h/Dawn.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp1.blogger.com/_vbYyOvRn5-4/R7sjX6uJnII/AAAAAAAAABs/E9at2qKkhTE/s320/Dawn.jpg" alt="" id="BLOGGER_PHOTO_ID_5168763891144563842" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Brian Dawn Chalkley&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R7sjhauJnJI/AAAAAAAAAB0/gUwP5ko6_V8/s1600-h/alexander.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R7sjhauJnJI/AAAAAAAAAB0/gUwP5ko6_V8/s320/alexander.jpg" alt="" id="BLOGGER_PHOTO_ID_5168764054353321106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Alexander Tucker&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Hosted by&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Vilma Gold&lt;br /&gt;25b Vyner Street&lt;br /&gt;London&lt;br /&gt;E2 9DG&lt;br /&gt;&lt;a href="http://www.vilmagold.com"&gt;www.vilmagold.com &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Canal would like to thank Rachel Williams for hosting the event and all the artists for their participation.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-4027320034221368812?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/4027320034221368812/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=4027320034221368812' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/4027320034221368812'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/4027320034221368812'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/12/canal-plus-at-vilma-gold-films.html' title='Canal Plus at Vilma Gold: Films, performance, music'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp1.blogger.com/_vbYyOvRn5-4/R7sfk6uJnBI/AAAAAAAAAA0/Zj8IQ2OzgS0/s72-c/300px-Canalplus_stamp.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-3434222385048467285</id><published>2006-10-06T10:29:00.000-07:00</published><updated>2008-02-19T10:39:45.830-08:00</updated><title type='text'>Canal at Between Bridges</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R7sgQauJnCI/AAAAAAAAAA8/1d934kN7nJE/s1600-h/let%27s+talk+%281966%29%5B1%5D.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R7sgQauJnCI/AAAAAAAAAA8/1d934kN7nJE/s320/let%27s+talk+%281966%29%5B1%5D.jpg" alt="" id="BLOGGER_PHOTO_ID_5168760463760661538" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Friday 6 October 2006, 7pm&lt;/span&gt;  &lt;span style="font-weight: bold;"&gt;&lt;br /&gt;&lt;br /&gt;Let’s talk&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;An introduction to Sister Corita&lt;/span&gt;&lt;br /&gt;With Sasha Carrera (Director of the &lt;a href="http://www.corita.org/"&gt;Corita Art Center&lt;/a&gt;, Los Angeles), Alex Farquharson, Elinor Jansz and Nils Norman.&lt;br /&gt;&lt;br /&gt;Admired by Charles and Ray Eames, Buckminster Fuller and Saul Bass, Sister Corita Kent (1918-1986) was one of the most innovative and unusual pop artists of the 1960s, battling the political and religious establishments, transforming graphic design and encouraging the creativity of thousands of people - all while living and practicing as a Catholic nun in California.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_vbYyOvRn5-4/R7shDquJnEI/AAAAAAAAABM/P-_PJlYNjhk/s1600-h/sister-corita2.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp0.blogger.com/_vbYyOvRn5-4/R7shDquJnEI/AAAAAAAAABM/P-_PJlYNjhk/s320/sister-corita2.jpg" alt="" id="BLOGGER_PHOTO_ID_5168761344228957250" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="display: block;" id="formatbar_Buttons"&gt;&lt;span class="on down" style="display: block;" id="formatbar_CreateLink" title="Link" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);FormatbarButton('richeditorframe', this, 8);ButtonMouseDown(this);"&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Programme&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Introduction by Sasha Carrera, Director of the Corita Art Centre, &lt;a href="http://www.corita.org/"&gt;www.corita.org&lt;/a&gt;, followed by a discussion with Sasha Carrera, Alex Farquharson,and Nils Norman.&lt;br /&gt;&lt;br /&gt;There will also be the opportunity to see Baylis Glascock's film "On Teaching and Celebration" (35 mins) (which includes: "We have no art" (1967), "Mary's Day 1964" and a birthday interview).&lt;br /&gt;&lt;br /&gt;Refreshments at the pub afterwards.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Hosted by&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Between Bridges&lt;br /&gt;223 Cambridge Heath Rd&lt;br /&gt;(corner of Three Colts Lane)&lt;br /&gt;London E2 0EL&lt;br /&gt;Bethnal Green underground&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(102, 102, 102);"&gt;Context&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Let's talk coincides with the launch of Come Alive! The Spirited Art of Sister Corita by Julie Ault (with essays by Julie Ault and Daniel Berrigan) Pb.; 128pp; Four Corners Books 2006; ISBN 0-9545025-2-3; £15.95&lt;br /&gt;&lt;br /&gt;Between Bridges presents the exhibition &lt;span style="font-style: italic;"&gt;Sister Corita, works from the 1960s&lt;/span&gt; (Oct 5 – Nov 26, 2006), spirited pop art from artist and activist nun.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R7siNauJnFI/AAAAAAAAABU/Kr3f7rGhKO8/s1600-h/corita_19.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R7siNauJnFI/AAAAAAAAABU/Kr3f7rGhKO8/s320/corita_19.jpg" alt="" id="BLOGGER_PHOTO_ID_5168762611244309586" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Photograph by Wolfgang Tillmans&lt;br /&gt;&lt;br /&gt;Canal would like to thank Elinor Jansz and Wolfgang Tillmans for their collaboration and support and the speakers for their participation.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-3434222385048467285?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/3434222385048467285/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=3434222385048467285' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3434222385048467285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3434222385048467285'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/10/canal-at-between-bridges.html' title='Canal at Between Bridges'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_vbYyOvRn5-4/R7sgQauJnCI/AAAAAAAAAA8/1d934kN7nJE/s72-c/let%27s+talk+%281966%29%5B1%5D.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-8172038497671305658</id><published>2006-08-30T10:49:00.000-07:00</published><updated>2008-02-19T11:09:36.589-08:00</updated><title type='text'>Canal at 29 Vyner Street</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_vbYyOvRn5-4/R7slVKuJnLI/AAAAAAAAACE/bTmejfowrgY/s1600-h/canal-29vynerst"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;" src="http://bp2.blogger.com/_vbYyOvRn5-4/R7slVKuJnLI/AAAAAAAAACE/bTmejfowrgY/s320/canal-29vynerst" alt="" id="BLOGGER_PHOTO_ID_5168766042923179186" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Canal was originally based in a dedicated space on 29 Vyner Street, East London. Before the flood. Subsequently, from September 2006 onwards, it became a peripatetic organisation hosted by different venues according to the project in hand.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-8172038497671305658?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/8172038497671305658/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=8172038497671305658' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/8172038497671305658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/8172038497671305658'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/canal-at-29-vyner-street.html' title='Canal at 29 Vyner Street'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_vbYyOvRn5-4/R7slVKuJnLI/AAAAAAAAACE/bTmejfowrgY/s72-c/canal-29vynerst' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-5225191371899266622</id><published>2006-08-29T10:58:00.000-07:00</published><updated>2008-02-19T11:10:08.601-08:00</updated><title type='text'>Gareth Jones presents: The Last of England (1987) by Derek Jarman</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Tuesday 29 August 2006, 8pm&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;Gareth Jones introduced The Last of England with a selection of readings from Derek Jarman's book Dancing Ledge (1984). These were chosen to cover the period from the 1960s to the 1980s. The five excerpts took a personal look at: David Hockney and the Sixties; experimental Super 8 filmmaking in the Seventies; the political effect of Michael Powell and Emerich Pressburger; the arrival of AIDS in the Eighties; and the living space of a bohemian at the start of the Thatcher era.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-5225191371899266622?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/5225191371899266622/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=5225191371899266622' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/5225191371899266622'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/5225191371899266622'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/08/gareth-jones-presents-last-of-england.html' title='Gareth Jones presents: The Last of England (1987) by Derek Jarman'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-1895365053452138071</id><published>2006-08-26T10:59:00.000-07:00</published><updated>2008-02-19T11:02:01.747-08:00</updated><title type='text'>TURBOBRUT: ALL LIVE ONE ROOM</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp2.blogger.com/_vbYyOvRn5-4/R7sngKuJnMI/AAAAAAAAACM/u3jpZGDl5VM/s1600-h/TurbobruT-stage.jpg"&gt;&lt;img style="margin: 0pt 0pt 10px 10px; float: right; cursor: pointer;" src="http://bp2.blogger.com/_vbYyOvRn5-4/R7sngKuJnMI/AAAAAAAAACM/u3jpZGDl5VM/s320/TurbobruT-stage.jpg" alt="" id="BLOGGER_PHOTO_ID_5168768430924995778" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Saturday 26 August, 12pm – 10pm&lt;/span&gt;&lt;br /&gt;Drinks reception from 6.30pm&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;PePoMo Ltd &lt;/span&gt;presents an event during the 2nd annual Vyner Street Festival, a community festival taking place on Saturday 26th of August:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;TURBOBRUT: ALL LIVE ONE ROOM&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;TURBOBRUT organise one-off public manifestations, usually of a musical focus. In this case, accommodated within the context of the street festival, ALL LIVE ONE ROOM acts as a point of transferral between the festival events running parallel.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;PePoMo Ltd &lt;/span&gt;is an umbrella company founded in 2005; the governing principle of which being the ubiquitous pursuit of a happy and interesting life.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-1895365053452138071?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/1895365053452138071/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=1895365053452138071' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1895365053452138071'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1895365053452138071'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/08/turbobrut-all-live-one-room.html' title='TURBOBRUT: ALL LIVE ONE ROOM'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp2.blogger.com/_vbYyOvRn5-4/R7sngKuJnMI/AAAAAAAAACM/u3jpZGDl5VM/s72-c/TurbobruT-stage.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-616459166359935777</id><published>2006-07-28T11:02:00.000-07:00</published><updated>2008-02-19T11:04:49.803-08:00</updated><title type='text'>The Publish and be Damned self-publishing archive</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;28 July - 13 August 2006&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Opening times: Thursday to Sunday, 12pm – 6pm.&lt;br /&gt;&lt;br /&gt;Publish and Be Damned profiles individual and experimental approaches to making and distributing the work of artists, writers and musicians outside of the commercial mainstream, encompassing DIY fanzines, magazines, critical journals, glossy periodicals, video compendiums and independent record labels. In its third year, Publish and Be Damned has again expanded to include new publications whilst also featuring participants from the last two years who have continued to make and develop their publications.&lt;br /&gt;The Publish and Be Damned archive features publications from the last three fairs, and more.&lt;br /&gt;&lt;br /&gt;The archive display and furniture is designed by Matthew Darbyshire using part of a previous design by Pablo Leon de la Barra.&lt;a href="http://www.publishandbedamned.org/"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp0.blogger.com/_vbYyOvRn5-4/R7soNquJnNI/AAAAAAAAACU/SRaTVOSIboQ/s1600-h/PaBD.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp0.blogger.com/_vbYyOvRn5-4/R7soNquJnNI/AAAAAAAAACU/SRaTVOSIboQ/s320/PaBD.jpg" alt="" id="BLOGGER_PHOTO_ID_5168769212609043666" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;For further information please see &lt;a href="http://www.publishandbedamned.org/"&gt;www.publishandbedamned.org&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-616459166359935777?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/616459166359935777/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=616459166359935777' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/616459166359935777'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/616459166359935777'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/07/publish-and-be-damned-self-publishing.html' title='The Publish and be Damned self-publishing archive'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp0.blogger.com/_vbYyOvRn5-4/R7soNquJnNI/AAAAAAAAACU/SRaTVOSIboQ/s72-c/PaBD.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-5354468351147820678</id><published>2006-07-18T11:04:00.000-07:00</published><updated>2008-02-19T11:07:31.881-08:00</updated><title type='text'>Raimundas Malasauskas presents: The Tale of Lost Time, an evening of films</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Tuesday 18 July 2006, 8pm&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color: rgb(0, 0, 0);"&gt;* The Tale of Lost Time, (Ekran, Soviet animation, 1984, 20 min)&lt;br /&gt;* The Yearfilm 1962-2001 Remix (CAC TV production, 2005, 25 min)&lt;br /&gt;* A surprise film! (no more than 25 min)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;More info about the Yearfilm Remix:&lt;/span&gt;&lt;br /&gt;The So-Called Records' "Yearfilm 1962-2001" was first made in 2001 exploring the legacy of Fluxus (thus the genre of Yearfilm, as Yearboxes). The original footage is taken from the cinema-journals "Tarybu Lietuva" (Soviet Lithuania) from the 60s and 70s, stored in the Lithuanian Cinema Archive, with an intention to trace the joyous and playful in a heavily ideology-driven discourse.&lt;br /&gt;&lt;br /&gt;In 2005, the film was remixed by an artist Aurelija Maknyte for the broadcast on CAC TV &lt;a href="http://www.cac.lt/tv"&gt;www.cac.lt/tv&lt;/a&gt; and introduced by So-Called Jim (Jim Spears, also and artist) from the New Zealand branch of the So-Called Records. In 2006 the writer Aleksandra Fomina produced a "translation" to this remix to English using lyrics of Laurie Anderson, Pink Floyd and Radiohead.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-5354468351147820678?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/5354468351147820678/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=5354468351147820678' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/5354468351147820678'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/5354468351147820678'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/raimundas-malasauskas-presents.html' title='Raimundas Malasauskas presents: The Tale of Lost Time, an evening of films'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-3565452501167757829</id><published>2006-07-11T11:10:00.000-07:00</published><updated>2008-02-19T11:10:56.308-08:00</updated><title type='text'>Simon Martin presents: Ways of Seeing by John Berger</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Tuesday 11 July 2006, 8pm&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Simon Martin showed one of the episodes of John Berger’s series Ways of Seeing following an introduction about his choice, divulging his interest in and relation to the work of John Berger.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-3565452501167757829?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/3565452501167757829/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=3565452501167757829' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3565452501167757829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/3565452501167757829'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/07/simon-martin-presents-ways-of-seeing-by.html' title='Simon Martin presents: Ways of Seeing by John Berger'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-1617939456353933352</id><published>2006-07-05T11:11:00.000-07:00</published><updated>2008-02-19T11:14:22.897-08:00</updated><title type='text'>The possibility of an artist-run space</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Wednesday 5 July 2006, 7.30pm&lt;br /&gt;&lt;br /&gt;&lt;/span&gt; &lt;span style="font-weight: bold;"&gt;The possibility of an artist-run space, a roundtable dicussion with:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Keith Wilson, Paul Noble (City Racing), Wolfgang Tillmans (Between Bridges), Alessio Antonielli (Gasworks), Richard Birkett (Whitechapel Project Space), Alexis Chan and Laurence Taylor (Parade), Claire Bishop, Anjalika Sagar (Otholith Group), Hugh Pilkington, Anthony Iles (Mute), Melanie Gilligan, Emma Heditch, Anthony Davies (Poster Studio), Maria Benjamin and Ruth Hoeflich (Guestroom) and Canal members Matt Darbyshire, Olivia Plender, Celine Condorelli, Sarah McCrory and Anna Colin.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://bp3.blogger.com/_vbYyOvRn5-4/R7sqWauJnOI/AAAAAAAAACc/GO6OPys7oTc/s1600-h/possibility.jpg"&gt;&lt;img style="cursor: pointer;" src="http://bp3.blogger.com/_vbYyOvRn5-4/R7sqWauJnOI/AAAAAAAAACc/GO6OPys7oTc/s320/possibility.jpg" alt="" id="BLOGGER_PHOTO_ID_5168771561956154594" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-1617939456353933352?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/1617939456353933352/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=1617939456353933352' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1617939456353933352'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/1617939456353933352'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2008/02/possibility-of-artist-run-space.html' title='The possibility of an artist-run space'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://bp3.blogger.com/_vbYyOvRn5-4/R7sqWauJnOI/AAAAAAAAACc/GO6OPys7oTc/s72-c/possibility.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-2608438739519689093</id><published>2006-06-22T11:14:00.000-07:00</published><updated>2008-02-19T11:15:13.677-08:00</updated><title type='text'>'Karl Holmqvist on spoken word'</title><content type='html'>&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(0, 153, 0);"&gt;Thursday 22 June 2006, 8pm&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The artist Karl Holmqvist talked about the origins of his work using cut-up techniques, poetry appropriations and spoken word readings. The improvised, staccato lecture was followed by a reading of a few extracts from his book I ON A LION IN ZION published by Revolver for BMW, The IXth Baltic Triennial of International Art, CAC Vilnius (2005).&lt;br /&gt;&lt;br /&gt;Canal thanks Blow de la Barra for making this event possible.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-2608438739519689093?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/2608438739519689093/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=2608438739519689093' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/2608438739519689093'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/2608438739519689093'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/06/karl-holmqvist-on-spoken-word.html' title='&apos;Karl Holmqvist on spoken word&apos;'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5830312814871635811.post-6751956260355513016</id><published>2006-06-02T11:15:00.000-07:00</published><updated>2008-02-19T11:17:11.278-08:00</updated><title type='text'>Canal opens</title><content type='html'>&lt;span style="font-weight: bold; color: rgb(0, 153, 0);"&gt;Friday 2 June 2006, 7pm - late&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Screenings:&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;The Light Fantastic – dir. Ken Russell, 1960&lt;br /&gt;Beehive - dir. Jim Self and Frank Moore, 1985&lt;br /&gt;Screen Tests – Neil Cummings, Marysia Lewandowska, Eileen Simpson, Ben White, 2005&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5830312814871635811-6751956260355513016?l=canalonvyner.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://canalonvyner.blogspot.com/feeds/6751956260355513016/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5830312814871635811&amp;postID=6751956260355513016' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/6751956260355513016'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5830312814871635811/posts/default/6751956260355513016'/><link rel='alternate' type='text/html' href='http://canalonvyner.blogspot.com/2006/06/canal-opens.html' title='Canal opens'/><author><name>mari</name><uri>http://www.blogger.com/profile/14450601014946610909</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
